Tuesday, April 24, 2018

Public Speaking - Fun or Torture?


Rock Star Confidence...

No one is born a rock star, complete with over-the-top confidence and leather pants. An individual has to work for that. (And grow into the pants.) Ever heard that Nickelback song “We all just want to be big rock stars, live in hilltop mansions driving fancy cars”?
These days we use the term Rock Star to mean someone who’s achieved success in their field. Eg) Wow, kids, you finished homework. You are a Rock Star.
We tend to look at those who’ve achieved enormous success performing in a rock band as beyond ordinary. But remember, even Pat Benatar and Tommy Lee have baby pictures. They put their pants on one leg at a time and catch colds, just like you and me.


My Point: One must work at developing an image to fool the public into believing that you are special. It’s referred to as Smoke and Mirrors. And it’s human nature to want to believe it true, to see someone as super-talented, uber-wonderful. That’s not to say if you follow the advice I’m going to give you, you need to be so conceited your head won’t fit through the book store door. Believing in your own PR (public relations) is a slippery slope. A true Rock Star can take out the garbage when not in black leather and chains.


            Under the costumes, tattoos, makeup, piercings and hair gel, a Rock Star is simply another person in the world who has insecurities-- a human being who probably feels more comfortable in a larger-than-life personality when greeting the public. I bet Pat Benatar made lots of PB and J’s for neighborhood kids between tours and Tommy Lee played Little League before he joined Metallica.

            In my life I have known a few rock stars, celebrities, and movie actors of enormous proportions and I’m here to tell you that off stage and out of makeup, most are a bit shy--Steven Tyler, for example. I took him snorkeling in Hawaii once and he is a quiet man. Jamie Foxx, whose name is actually Eric was raised by his Grandma and is extremely humble. These people created a stage persona and you must too. If shyness is holding you back, you must dig deep to find that inner celebrity that we all have hiding somewhere behind the spleen. Once you find her she will help get through public events that would’ve otherwise leave you shaking in your boots, quivering in your Victoria’s Secrets, sweating through your sweat suits. (Note: Unless you are a sports star, I highly recommend you refrain from wearing sweat suits when trying to be a Rock Star.)

            On that note, the first step to Rock Stardom is physical presentation. Go into your closet and find yourself an outfit that says “__________”. You must insert your celebrity or pen name here and if you don’t have one I suggest you find one because this is how you will refer to yourself when it’s ‘ShowTime!’ My stage name used to be Kimberley Horn because there were too many syllables in my real name for my former talent agent. Now my pen name is Kim Hornsby. I did not deviate too far from the truth but you see where I’m going with this. Once you have a few killer outfits that make you feel special, check that the rest of you is ready for the spotlight -- hairstyle, shoes, jewelry. What makes you feel successful enough to have a Lear jet to fly to San Fran for breakfast on the pier. This is the side of you does not scrub toilets, make school lunches, clip coupons. She takes her pool boy (or husband) to South Beach on Saturday night to dance and sleeps until three the next day.
After your have the look, you must make yourself believe how wonderful you are. If you skip this step you’re in trouble. Affirmations, self talk, call it what you want, but do it just before called upon to speak in public.


            I want to introduce to you a character I love to laugh at on SNL, called Shy Ronnie. He is played by Andy Samberg and the one of the reasons he is so drop-dead funny is that we know Andy is not shy. Were Shy Ronnie a real person, it would be excruciatingly painful to watch him try to rap alongside Rhianna. When asked to speak up, his voice is so minuscule it’s painful to watch. But when his beautiful co-singer leaves the room in frustration, Shy Ronnie takes off. His shyness in front of Rhianna makes him not only unable to do his job but makes him look silly, due to lack of confidence. Remember this when you are in front of an audience – the people who have paid money or taken time out of their busy lives want to like you. When you open a book, you are hoping that the protagonist is someone to relate to. Likewise, an audience member wants to like you and will give you every possible chance to be worth their time. If they don’t like you (and you will probably never know this), it might be their own problem. Maybe they’re distracted, closed-minded, too focused on their own lives or not ready to listen.

            As you look out on the sea of faces, just remember, do not read your audience too closely. It’s the kiss of death. Just plough through, if you’re giving a key note speech, talking to a group at a book signing, whatever. Don’t assume you know what they are thinking. The expressions on their faces may not reflect their thoughts. Probably won’t if they are listening intently. Take your glasses off, look over heads but don’t read their faces.

            In recap, you must create a celebrity side to yourself complete with a pen name and an outward appearance that says ‘Someone Special is in the House’, practice self talk and remember the audience wants to like you.

Now click on Shy Ronnie and tell me you aren’t this bad!

KIM HORNSBY is an Amazon Bestselling Author best known for The Dream Jumper Series, which is optioned for film, with over 400 reviews on Amazon at 4.5 stars.
Sign up for her newsletter to keep posted on news and freebies and contests or follow her on Amazon.

www.bit,ly/kimamzn
www.bit.ly/KimHNews



Monday, April 23, 2018

Get in the VIP Club -- Kim's Krowd!

Just back from 3 days of talking about writing and marketing, my brain is going to explode if I don't get some of this wisdom on paper.
Virtual paper works too.
If I took any one message from the Chanticleer Author Conference this last weekend it is to be accessible to my readers and cultivate those relationships. Forget about hangin' and talkin' on FB to old friends or writers. If they don't read your books, don't put them first in your business account. I say this because I have very limited time and rarely have a moment these days for things like chatting with friends, cleaning the house, dressing myself. That last one isn't true but you get my drift.
I'm busy.

As a marketing author who's struggling to build a reader base, I realized this weekend I need to zero in on my precious readers and give them more fun and rewards.

So, I'm opening a Beach on FB called Kim Hornsby Beach (named after me because it's my virtual beach) and I'm going to have fun stuff going on over there for readers of my books. I'm kind of excited about The Beach. I'll have a grand opening maybe even on my birthday--May 8th.
A beach party!
Who doesn't like those things? For anyone who has to stay out of the sun, we'll have palapa huts and umbrellas and personal umbrella handlers who are very attractive and follow you around.
When the Kim Hornsby Beach opens, we'll have a bar open with pu pu's (appetizers) but remember that 5 o'clock rule because I don't want anyone getting arrested by the cops at my piece of property.


As well as the FB Site, I'm hoping to support my books with more ads, contests and giveaways to get new readers. People love my books, if they can just discover them, I'm finding.
So, I'm stepping up my game to give my Peeps the creds they deserve. Stay tuned on my FB account, Follow me on Twitter to hear what I'm doing and if you're on Instagram, I'm over there ever day or two with photos.

Here's my links and remember, you can always email me at kimhornsby@yahoo.com


www.kimhornsby.blogspot.com If you have a blog, follow
www.kimhornsby.com – Newsletter signup


Anyone who signs up for two of the above and has bought and read a book, qualifies to be in my VIP Club -- Kim's Krowd. 
Feel free to let me know by email and I'll contact you about the fun coming up for the Krowd. 


Kim

Tuesday, April 17, 2018

Not Kidnapped, Writing!

I just spent 4 1/2 days with 14 women shut up in a house.
No, we weren't kidnapped.
And we weren't there under duress. We wanted to be shut in for days on end.

I was at a writers' retreat. An annual affair I selfishly organize so I can get out of town to buckle down with my laptop to live inside my  head, only coming out for short sprints to eat, see if everyone slept well and look at the passing deer and elk out the windows.
My hubby asked if there was any drama this year and I looked at him like he had two heads.
These woman are over 30, are there to be productive and are WRITERS. Writers don't get snarky, competitive, mean, vindictive, nasty, dramatic. At least the ones I know wouldn't even think of letting those agendas into their lives.
My women writer Peeps are supportive, interesting, giving, lovely human beings who don't worry about furthering their personal agendas on a writers' retreat.
We eat healthy food, we hunker down for hours at a time at our laptops and we support each other. Someone comes out of the den to say they finished their book and we cheer. Another asks what's a good country song a dog can trot to and we put our brains to it.
This year we trickled in to the Lodge from Thursday afternoon to Friday night, one person getting waylaid on the highway when an accident temporarily closed the road. There were great stretches of time where everyone was quietly working but at meal times, we came together, emerging from the bedrooms, den, suites, office to talk, share, network, support each other's work and hear each others life stories. We talked travel, kids, politics, heartbreaks and of course writing. Our group this year all writes fiction and I did a little talk on how to adapt your work to a screenplay, something I've recently taken up doing. We discussed writing stronger, writing longer, marketing smarter and even had a 4-hour long Facebook party on the Sunday afternoon where six of us took turns asking questions and conversing with anyone who dropped in to our virtual party to win a free book.
Monday we packed, cleaned the massive kitchen, put all the furniture back where it was when we arrived, said our goodbyes and formed a convoy to support each other as we drove back to the coast through a snowy Snoqualmie Pass.
Writing can be a lonely life but this weekend, it wasn't.

I love this writers' community I'm a part of. It keep me going when I need something wonderful to grab onto.

I wouldn't be a plumber or a doctor or a real estate agent, even if I could.

I'm a writer.


KIM HORNSBY is an Amazon Bestselling Author best known for The Dream Jumper Series, which is optioned for film, with over 400 reviews on Amazon at 4.5 stars.
Sign up for her newsletter to keep posted on news and freebies and contests or follow her on Amazon.

www.bit,ly/kimamzn
www.bit.ly/KimHNews

Saturday, March 31, 2018

ARROW to Dream Jumper?

My novel is slated to be a FEATURE FILM!
How cool is that?
Very, very cool, I'd say. When the film company sent contracts to my agent to option the whole series, I was over the moon excited and happy and thankful and vindicated. Yes, vindicated because when I tried to get this first novel an agent or a publisher, no one would touch it.
Because it involves dreaming.

There are numerous flashbacks and dreams and premonitions and the story is complicated. But, I have faith in readers and knew they could handle it.
THE DREAM JUMPER'S PROMISE

This weekend, I have a friend in Washington D.C. who is lining up at #AwesomeCon to get an autograph from the man who I want to talk to about playing the lead in the film.

Stephen Amell (Arrow)

This is a shot of him yesterday at the Con with a fan.

James deBenedetto asked me if I'd like him to mention the film to Stephen when it's his turn to get an autograph.
Hell ya!
I think Stephen would be great in the role of Jamey Dunn, Special Forces soldier who has the ability to enter dreams. The movie is set on Maui, while he's on medical leave and encounters his ex-girlfriend whose husband has gone missing.

As a contributing producer and a bit of a go-getter, I've already sent him the script through his agent and heard that the material was well received. He won't read the script until a director is attached, which in Hollywood talk means he won't believe the film is going to be made until a really good director comes on board. Fair enough.
In the material I sent him this week, there was a letter to him personally to ask him to keep this project in his thoughts until we go into the pre-production stage and begin casting.
BUT, I want him to come on board as a producer. As with any film, there are many producers and each one has a varying degree of input. I am a contributing producer which means I don't make any final decisions and can contribute but not command. That's fine. I'm thrilled to be able to be a part of it.
So, today or tomorrow, James is handing Stephen the physical novel and a note from me to say "Imagine yourself playing Jamey..."

I'm hoping he takes the book, (not hands it to his assistant) and his wife reads it. Then, on Monday, someone in his camp looks on Amazon to see if the book has done well. It has moderate success with 323 reviews but wasn't ever a blockbuster hit for a big stretch of time.
If you haven't read the book but love ARROW, would you consider taking a look on Amazon and weighing in about his suitability to play the lead?
Amazon Link

If you read this book and liked it (!) and did not write a review, would you consider writing one now? The more reviews up there, the better it looks.
If you haven't read the book, would you consider buying it this weekend to get the numbers up? I left the novel at .99 this weekend for that purpose.
Even if you don't buy in to the paranormal, you'll see in my reviews that it's a book for all types of readers. It's paranormal lite, with the strangeness of entering dreams as the supernatural ability. Check out the first book HERE on Amazon Kindle.
As you read, tell me if you think this guy would make a good Jamey. My 16 year-old daughter says no but then she judges everyone based on their age and hair. And I have to think our audience will be older.
But then, ARROW is beloved by many.


If you can, give the book some love this weekend and stay posted to see if Stephen Amell responds positively.

Click Here to Find The Dream Jumper's Promise on Amazon Kindle

Sunday, March 25, 2018

Ten Authors, One Creepy Story

I'm part of a collection of incredible Suspense Authors called Moonlight and Mystery.

We have an awesome website for readers where we blog, give away cool stuff, tweet, we have contests, and we announce #FREEBOOKS. We also have Goodreads discussions, have a Facebook site, we have a street team, and it's a wonderful group to belong to if you're a reader who likes suspense books. You can be in our Inner Circle if you like to get all kinds of perks on books and giveaways.

Here's the website...

http://www.moonlightandmystery.com


This week was my turn to write the final chapter in a collaborative novel that got creepier as the story went on. Ten authors, ten styles, ten ideas of where this story was going.
And I got the supreme challenge to write the ending.
I read the whole thing through several times, made notes on what plot lines had to be addressed and started writing. I couldn't stop.
It was like I was writing another whole novel!
So much needed to be said about Annabelle, Preston, Max, even those ghostly apparitions that rose from the water to suggest justice.
I spent about 3 full days writing the 5,000 words needed to finish the story to my satisfaction. Considering I live with my novels for a year before publishing, this was a challenge and a cool writing exercise for this writer. Each of the other nine authors took the chapter before them and ran with it, keeping the tension high, the characters interesting and the story moving forward.
I want to keep editing and revising and changing my final chapter now and it's an exercise in itself to walk away from the story. I have another book to work on.
Check it out.

DARKNESS AWAITS

Read the 1-2 hour story and see if the ending works. I had loads of stuff to tie up. And now I shall go massage my aching shoulders!





Sunday, March 18, 2018

Donuts, Cops & Ghosts

Cops eat donuts.
I would have thought it was an urban myth until I saw cops in Krispy Kreme buying two boxes of the things. It's a quick snack for immediate energy and maybe that appeals to the profession.
There's lots of jokes about cops and donuts but are there any about cops and malasadas?
In Hawaii, there are a lot of Portuguese people. Why that's so is another thing I'm not exactly sure about. That culture has a donut named the Malasada. Basically, they are the same thing as a sugary homemade deep-fried donut but they have no hole in the center and I'd have to say there is more donut in there for your money and less air holes.
In my novel, Rocky Bluff, the police solve the mystery of a death at the old Iao Theater in Wailuki. A cast member is hit with a giant moon prop when it falls to the stage, and is killed. Two cops happen to be in the audience of The Rocky Horror Show and the investigation begins.
Although the story is attached to the Lei Crime Series by Toby Neal, you need not know the characters or read her books to enjoy this stand alone mystery. This, I've been told.
Or to eat the Malasadas.
In the back of the book I have the recipe for Malasadas, something I do in each of my books--include recipes talked about in the book.
Feeling generous today, I'm going to post my recipe here and hope if you try them, you'll be inspired to read the story of how Lei and Michael solve the mystery of the murder at the Iao Theater on Maui.
Rocky Bluff is on for 99 cents on Kindle and takes about 4 hours to read. It's a mystery with no gore or graphic crime descriptions but does have some romantic moments in there.
Also, a word of warning...there is a ghost in the theater so if you like ghosts or books with ghosts, you'll like this one.

Perfect for a Sunday afternoon in March! The first chapter is posted below...

Find Rocky Bluff, the ebook, here...  FREE on Kindle Unlimited or .99 on Kindle!

KIM HORNSBY is an Amazon #1 Bestselling novelist who lives in the Seattle area and writes books about women in dire circumstances rescuing themselves. She tweets her dreams most mornings over here on Twitter under the hashtag #StrandDreams
www.twitter.com/kimhornsby
Feel free to follow her to keep up with her unusual dream life...
Newsletter Signup for Book Releases & Free Stuff www.bit.ly/KimHNews
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Recipe for Malasadas (Portuguese Donuts) 


1 (.25 ounce) package active dry yeast
1 teaspoon white sugar
1/4 cup warm water (110 degrees F/45 degrees C)
6 eggs
6 cups all-purpose flour
1/2 cup white sugar
1/4 cup unsalted butter, melted
1 cup evaporated milk
1 cup water
1 teaspoon Kosher salt
2 quarts canola oil for frying


1. Dissolve yeast and 1 teaspoon sugar in 1/4 cup warm water; set aside. 2. In small bowl, beat eggs until thick. 3. Put flour in large bowl, making a well in the center. Into the well add yeast, eggs, 1/2 cup sugar, melted butter, milk, 1 cup water, and salt. Beat thoroughly to form a soft, smooth dough. Cover, let dough rise until doubled. About one hour. 4. Heat oil to 375 degrees F (190 degrees C). Drop dough by big spoonful’s into oil, fry until golden brown. Remove from oil and drain on paper towels, shake in a bag of either regular sugar or powdered sugar to coat, and serve warm.

ROCKY BLUFF 

Chapter 1

Lei Texeira stood on stage of Maui’s Iao Theater among the costumed actors and stared at the dead body. She’d seen the whole ugly mess. It looked like a freak accident, but all of her police training told her to keep the crowd back and not to touch anything. Sirens wailed outside, getting louder, closer. One minute, the fantasy of the Rocky Horror Show was in full theatrical swing on stage, and the next minute, a woman was dead.
Lei’s once fiancé, now simply her live-in boyfriend, Michael Stevens, had taken charge from the moment he flew out of his seat in the audience. He and Lei were both detectives with the Maui Police Department, but only one of them didn’t have PTSD from being abused as a kid. Or parents who let drugs control their lives.
Just now, Lei hadn’t reacted like a cop, something she wasn’t proud of, but would have to revisit later. Never having seen The Rocky Horror Show before, she’d almost believed it was part of the script. Strange things had been happening onstage for the last hour and a half. Not that she went to the theater on a regular basis but when the moon fell on that poor woman, it seemed like part of the show. Lei had long ago turned off her cop warning signal to simply enjoy the spectacle onstage. Apparently, it was normal for the crowd to yell “asshole” every time a name was spoken, and to wave flashlights and throw rice. Most audience members seemed to know when and how to perform each ritual.
So, no, Lei hadn’t reacted when the giant moon crashed to the stage. It was at least five seconds before she flew out of the seat.
Lei’s friend, Kali, who played the tap dancing groupie Columbia, now stood near the feet of the dead woman looking horrified. Her hands covered her mouth as if to keep from screaming, or crying. Nora, the victim, had been a favorite with the cast. That much Lei knew. Kali stood with Derek, the man who played the lead, Frank-N-Furter.
The murder weapon, a large quarter moon prop, that until ten minutes ago had held Derek as he descended from the theater’s rafters, lay on its side beside Nora. It reminded Lei of a dog who wouldn’t leave their dead owner. When the prop broke free, Derek had been seated on the curve of the moon singing “Don’t Dream It, Be It,” in full spotlight. When the moon fell, he’d slipped off the end and had landed on his side. He now looked flustered, but unhurt.
“You okay?” Lei asked him.
He nodded, but Lei knew no one was really okay.
Although Stevens had taken the victim’s pulse and found nothing, one of the cast continued CPR.
Lei stared at the grim scene on stage. From one angle it looked like Nora lay on the stage floor as if taking a nap. From another angle, the amount of blood pooled by the woman’s head indicated a fatal injury. Lei fingered the smooth stone in her jacket pocket, her reminder to not let the darkness take over at horrific moments like this. Dissociation was a bitch sometimes. Somehow, the stone helped.
The theatre stage door flew open and paramedics hustled into the once gorgeous, but now charmingly decrepit theater. Audience members had scattered, spilling into the aisles and maybe still hoping. Lei knew this woman was dead, never to be revived by any amount of CPR. “Let’s move over here,” she said, directing the cast to the back of the stage. “Make room for the paramedics.” She wasn’t wearing her police detective badge, neither was Stevens, but the cast of twenty actors and crew did as they were told. No one on stage looked like this death was what they’d been hoping for. She noticed things like that.
Both wires that had held the moon prop led to a carabiner-type loop that connected them to one central line that now dangled uselessly from the rafters. Lei bent over the wire attached to the moon and took a photo just in case anything was moved before the crime kit arrived. She wondered how a wire simply gave out. Someone would search the rafters tonight. The break looked too clean for fraying.  As she watched the paramedics pronounce Nora dead, Lei was sure that this wasn’t a horrible accident, but a murder. But why?
When the theater cleared of audience members, and the cleaning crew had swept up the rice and garbage left behind, Lei offered to drive Kali home to Lahaina. Although Lei was coming to the friendship table kind of late in life, she was learning what friends did for each other by using her Aunty Rosario as an example and driving Kali home would be the type of thing her aunt would offer. Even after the paramedics took Nora’s body away and the theater started to clear, Kali continued to cry into a growing pile of Kleenex as Derek comforted her.
Having met Kali Baker only a month ago, Lei didn’t know her extremely well. But their friendship had blossomed fast, strangely similar to love at first sight. They hit it off immediately even though they appeared to be very different. Unlike Lei, Kali was an emotional person. She hugged everyone, blurted out compliments, and was able to show exactly what she felt at any given time. Normally, such a demonstrative person would have had Lei rolling her eyes and walking away.
 Kali looked like an eighteen-year-old petite Barbie doll, but was actually Lei’s age—late twenties. Where Lei was Hawaiian, Portuguese, and Filipino, Kali was pure white bread. Where Lei had short brown curls, Kali had long blonde hair. They’d met while running with their dogs and in the last month, they’d spent a lot of time together, especially because Kali left her dog, Stripe, at Lei and Stevens’ house while she performed.
“I’ll take you home,” Lei told her. “Just leave your car here tonight.”
Kali was a mess, trying to talk through her sobs. “Nora always wanted to be onstage with us. After years of sewing and helping with costume changes, she got to join us.” Kali still wore the stage makeup that had transformed her into Columbia, along with her costume of a red bow tie, sequined tails, and a sparkly top hat. But by now, Kali’s face was a swirl of clownish color and tears. A false eyelash had come off with the mopping of tears and was stuck to Kali’s jawline like a giant cane spider hanging on. Lei reached for it. “Eyelash,” she said handing it over. They walked out the theater’s side door to Lei’s new silver Tacoma truck.
Stevens would stay behind with the crime kit and would manage the investigation. The Iao Theater was inside his jurisdiction, not hers.
She and Stevens had just moved to Maui from Kauai six weeks earlier. They’d been ready for something new, ready to leave Kauai. Stevens was offered a promotion as Detective Sergeant, a position with Kahului Station, headquarters for MPD. As luck had it, the timing was right and Lei joined her old partner from the Big Island, Pono, who was now working at Haiku Station on Maui.

If it looked like murder, Stevens would head up the case. Playing second fiddle to Stevens wasn’t a role she relished, but she could help by staying with Kali, asking questions, and maybe even coming up with a lead.
The director, lighting director, costumer director, and prop mistress for the play remained with Stevens for questioning. Two officers from the Kahului Station, Hensley, and his rookie partner, Sakamoto, would help. Lei would only get in trouble for sticking her nose into another station’s investigation, and that wouldn’t be good because she was terrified of her boss at Haiku Station, Lieutenant Omura. And because of that, Lei wanted to do everything by the book. Not piss off the Steel Butterfly again.
Weeks ago, when Lei reported to Haiku for the first time, Omura had barely looked at her, saying, “There’s no room for publicity hounds at my station.” That had been her welcome to Maui.
“Yes, Ma’am,” Lei said.
That same day, she and Stevens had found a perfect little cane cottage in the Iao Valley and were now officially living together. Thinking of their home just down the road, Lei had an idea.
“How about you stay at our house tonight? You’re upset.” It was a long drive back to the other side of the island and Kali looked traumatized, slumped against the truck’s door. “I’ll bring you back to your car in the morning. Stripe can have a sleepover with Keiki.” Lei threw that in for good measure. Her Rotty loved Stripe. The two dogs had spent a lot of evenings together while Kali rehearsed this show and were currently in Lei’s fenced yard. Double protection, as Lei saw it. Which was good any way you looked at it. Lei was kind of OCD about protection from bad guys, and with good reason. Having a Rotty and a Rhodesian Ridgeback in her yard on weekend nights for Halloween month, was a plan that benefitted everyone.
 “That’s probably a good idea,” Kali sniffed. “I don’t want to be alone.” She looked out the window miserably. “Was it an accident, do you think?”
“Not sure, but maybe.”
“Who would want Nora dead?” Kali began to sob again.
 Lei didn’t have an answer.

 Their cottage in the Iao Valley wasn’t far from the historic theater and as they drove in to the valley, Lei hoped that once she settled Kali in, she could return to the crime scene. Stevens had told her to ask Kali a few questions about Nora and to look for a motive. See if Nora had any enemies. But on the drive to the house, Kali had nothing to tell. Everyone was good friends; there were no bad feelings between anyone, least of all Nora. What else could Lei do for Kali after she settled her at the house? It was hard for Lei to pretend that she didn’t want to speed back to the theater to help. She was a better detective than a friend. Always had been. She loved her work always wanting to dive in the center of a crime, get messy, and work her way out. It wasn’t in her nature to sit on the sidelines with a friend, wondering what was going on. She wanted in to the eye of the hurricane.
They parked and got out of the truck, the air fresh from recent rain in the valley. Keiki and Stripe wagged their tails, or in Keiki’s case, her stub, and jumped around to see the women approach the fence.
“See anything tonight, Baby?” Lei opened the gate and patted Keiki’s back. Lei never took safety for granted. The serial killer case on Kauai that she and Stevens cracked wide open had been crazy-weird enough for Lei to have new appreciation for her guard dog. She and Stevens had moved from Kauai to get away from all the publicity after cracking that one, and because they needed a fresh start somewhere new. Probably that’s what Omura meant when she’d called Lei a publicity hound.
After settling Kali on the couch with both dogs lying nearby, Lei made her a cup of tea.
“You’re so sweet, Lei.” Kali’s tears had subsided but the box of tissues was still within reach. Handing her the mug, Lei noticed Kali’s makeup had smeared enough to make her look like a dead person herself.
“Feel free to take a shower,” Lei said, sitting down on edge of the living room’s one chair.
“I might do that.” Kali took a sip and set the mug on the coffee table.
“Are you okay if I head back to the theater for a bit to take a look?”
Kali glanced to the bathroom door. “Sure. I’ve got Stripe to keep me safe.”
Kali depended on her dog the same way Lei did. Protection was important, especially when you were a single female. One of the first conversations Lei ever had with Kali was about how a large dog made them feel safe in the world. Able to relax. She and Kali had gone for smoothies after that parking lot conversation and talked for another hour about their dogs.
“Is my makeup all over my face? I’m sure I look terrible.” Kali smiled.
Kali was very pretty by All-American cheerleader standards. Lei smiled back sympathetically. “Even more terrible than usual.”

When Lei walked through the stage door of the Iao Theater, Stevens was up in the rafters with the lighting director, Keven. Several tearful cast members, still in costume and makeup, were sitting in the front row talking, watching; probably waiting to hear if Nora’s death had been an accident. After fielding questions Lei wasn’t at liberty to answer, the actors stood to leave. Hensley and his rookie partner, Sakamoto, told them they could go home, then moved to the stage to estimate the trajectory fall of the prop. Hensley stood by the bloodstain on the stage floor. His partner, who everyone called “Saki,” hung on every word from his mentor. From the rafters, Stevens and Keven spoke in hushed tones.
Lei approached Hensley. “What do you think? Accident or murder?” she asked.
Hensley knew who Lei was. Sort of. When she and Stevens arrived on Maui, they’d bumped into him in Takamiya Market and the near-retirement cop had zipped his lips shut when he saw the couple together. It wasn’t against police policy to date, but Hensley probably sensed they liked their privacy.
Hensley looked to the rafters. “Could’ve been an accident, but Stevens says there’s room for doubt.” He shook his closely-shorn head.
“You knew the victim?” Saki asked Lei.
“I knew of her. One of the cast members is my running partner.” Lei could still smell the blood even though it had been wiped from the stage floor.
Stevens descended the ladder from the rafters and Lei walked over to meet him. The only people in the theater now were the caretaker, Mack, the lighting director, Keven, the show’s director, a man named Mike, the set designer, Dan, and the four cops. Everyone else had been asked to leave. Keven was upset, tears rolling down his plentiful cheeks and Lei knew it didn’t look good.
The four cops congregated near the stage’s stairs and in whispered tones discussed what Stevens had seen. “It looks like the main wire holding everything was cut. The wire cutters are missing from the theater toolbox.” He shook his head gravely. “The prop was checked two hours before the show started so it was cut after that. Keven insists the prop’s lines were fine.” Stevens motioned to where Nora had died. “Apparently Nora was out of place on stage; too early in the script to be where she ended up, so I’m thinking it wasn’t necessarily meant for her. Still, looks like we have a murder on our hands.” No one batted an eye. Everyone knew what this meant. The investigation had begun.
Hensley and Saki went downstairs to take a look in the basement dressing rooms of the old theater. Lei stayed with Stevens. “Someone wanted that moon to fall.”
Stevens glanced at the production group gathered by the stage door. “But why? No one was supposed to be on that side of the stage.”
Lei inwardly cringed. This friendly community theater production of The Rocky Horror Show was now living up to its name. At least the horror part.

It was almost dawn when Lei and Stevens pulled in their driveway. They both felt more at home in this type of dwelling even though they could afford something bigger, newer. The small cottage was painted green with white trim and a rust-colored tin roof and the sight of it made Lei happy every time she drove up. This type of house was called a cane cottage in Hawaii and was typical of what was built when sugar cane production started in the islands, long ago. A perfect place for Keiki to hang out while they worked, the cottage was only a few miles from the heart of downtown Wailuku. Regardless, Lei could imagine they were in the most remote part of Maui, back in the folds of the West Maui Mountains, beyond Kahakuloa, where the wild boar lived.
The Iao Valley State Park was tropical rainforest at its finest, with every shade of green imaginable. From their house, they couldn’t see the Iao Needle, the famous tourist attraction in the Valley, but the evidence of its presence was reflected in the daily traffic on the road when the park gates were open. The Needle, resembling a breaching humpback whale covered in jungle growth, stood guard to the remote part of the valley.
Lei climbed the cottage stairs and opened the door carefully. Kali was probably sound asleep, unaware that tonight’s accident had become a murder case. No one had been charged. Not yet. There were no suspects. Stevens didn’t see motive from the director, the caretaker, or any of the crew. By all accounts, no one was supposed to be standing under the moon at the time of its fall. Maybe the killer had the wrong victim. Maybe the killer hadn’t anticipated Derek jumping clear the way he did. Maybe the killer simply wanted to scare or hurt Derek.
Keiki lay beside Stripe on the floor and when Lei and Stevens walked through the living room on the creaky wooden floor, both dogs watched. It was time to get a few hours’ sleep then head back to the station. Lei would help work the case today seeing Saturday was her day off, the one day she and Stevens had off work together. Usually. Trails got cold fast in the islands and clues faded away if you didn’t get some answers in the first forty-eight.
 “We can hit this in a few hours, after some sleep,” Stevens whispered as they entered their bedroom.
Keiki entered and settled on the floor by Lei’s King-sized bed, a monstrosity that she’d moved from the Big Island to Kauai and now to Maui. Stevens pulled off his collared shirt and chinos, and slipped into bed beside her. His body was warm and comforting in a very boyfriendly way. She nuzzled into him, one of her favorite positions—tucked into his shoulder, top arm flung across his well-muscled abdomen. Stevens always seemed so big to her, so elegantly long, especially in bed. Tonight the thought of getting frisky was completely vetoed by their exhaustion. “Think it was Keven?” she asked, her exhausted words barely audible.
He sighed. “I’m gonna say no.”
“That moon wasn’t meant for Nora,” she mumbled.
“I agree. But who?” Stevens sounded on the edge of consciousness.
“Me,” Kali said from the open bedroom doorway. “I think the moon was meant to kill me.”

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Tuesday, March 6, 2018

Dreaming - Everyone Does It!

I am a prolific dreamer.

If I wrote as much as I dreamed, I'd have worn off my fingerprints by now from typing.
Each morning, I wake and try to remember my last dream. I do this because my immediate mood is affected by what I was just experiencing in my dream. This morning I woke slightly amazed because my nephew had discovered how to fly. No one had ever tried this before and he was just brave enough to jump off a tower into the wind to discover if he put his arms out he could fly, like skydivers without falling. Like going to one of those skydiving places with a wind tube at the mall. He was able to direct himself over to pick up a jacket he'd left at a park and come back. I was impressed. I woke impressed but worried for his safety.
Dreams are the result of an active hind brain that won't go to sleep when the rest of the brain shuts down for the night. Like an ADD child, this part of the brain keeps going, nudging the rest of you to pay attention. Playing with toys, essentially, while you sleep.
But what if outside forces could penetrate those dreams, your subconscious, to insert suggestions? Like in the movie Inception? Leonardo diCaprio was developing a way to insert suggestions into a business mogul's mind, taking dreaming to a whole new thriller level.

I love the mystery surrounding dreams. Like the weather, it's something that we all have in common whether we are rich people, dirt poor, athletes or housebound, old or young, everyone dreams.

It's with that in mind that I write books that always have dreams. I ask my readers to interpret as they read, essentially. In my Dream Jumper series, dreams are crucial because the heroes can enter other people's dreams and use that to solve a mystery and eventually do good in the world. I wrote this first book before Inception was a movie and thought I had a unique idea. And now, the first book in the series, The Dream Jumper's Promise, is optioned for film with hopes to begin filming in the next year.
Dreams are our subconscious's way of working out problems and questions in our brain, keeping us thinking and at the very least not turning off. If we listen to our dreams, the experts say that we can learn secrets about ourselves. If you dream of your teeth falling out it could mean you feel insecure of your physical self or you feel out of control about something.

If dreams are metaphorical representations of our waking expectations, I now know I have some degree of concern over my nephew and his life. It's interesting to remember dreams, interpret them and move on to your waking life every morning.
Happy Dreams, Everyone!

KIM HORNSBY is an Amazon #1 Bestselling novelist who lives in the Seattle area and writes books about women in dire circumstances rescuing themselves. She tweets her dreams most mornings over here on Twitter under the hashtag #StrandDreams
www.twitter.com/kimhornsby
Feel free to follow her to keep up with her unusual dream life...

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